There is a big statement occurring in film regarding the portrayal of human sexuality, and, no, it’s not Michael Fassbander’s naughty bits in Shame. Rather, it is a trend appearing recently in two independent queer films, in which there is a strong effort to capture a realistic depiction of gay love and sex. First was a small, quiet U.K. romance from 2011, Weekend by Andrew Haigh, and now the more recent Sundance selection Keep the Lights On, by Ira Sachs. Both films trace the developing relationships between two very different couples.
Each film is acclaimed for having a honest portrayal of young gay males, something that many movies lack if you’ve taken the time to plunder the “Gay and Lesbian” section of Netflix. The majority of gay themed movies (is that a real genre?) usually resort to finely manicured dolls of men embroiled in melodrama commonly surrounding the political upheavals or religious damnation of homosexuality — anyone who has spent a Saturday in bed watching Latter Days crying into your chinese food knows what I am talking about. Read more…







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